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Chautauqua
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A
Chautauqua as defined in Microsoft's Encarta Dictionary
is an "annual summer school or educational gathering, often
held outdoors and offering lectures, concerts, and theatrical
performances." The word is taken from the town in upstate
New York where the first Chautauquas were held in the nineteenth
century. Chautauqua now defines a living history presentation
where an individual dresses as the historical character
and takes on the persona of that character.
The
format used by most Chautauqua performers is to speak for
30 minutes as the character they are portraying, answer
questions for about 15 minutes as the character and then
answer questions as the scholar about the research that
went into their performance.
The
Arizona Humanities Council funded three individuals to perform
at the Arizona State Historical Parks in the summer of 2001.
Don Garate portrayed Manuel José de Sosa, a royal
scribe and Juan Bautista de Anza's foreman in the 1700's.
Elena Díaz Björkquist portrayed Teresa Urrea,
a Mexican healer who was exhiled by Porfirio Díaz
to the United States. Leonard M. Edmonds portrayed Carl
T. Hayden, the Senator from Arizona. All three Chautauquans
are in the Arizona Humanities Council Speakers Bureau and
are available to do presentations for private non-profit
groups. For more information go to the AHC
website.
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TERESA URREA, LA SANTA DE CABORA
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Teresa
Urrea, healer and political figure was born in Sinaloa,
Mexico in 1873. She was the illegitimate daughter of Tomás
Urrea, a wealthy rancher and a fourteen-year-old Tehueco
Indian in his employ. When she was sixteen, Don Tomás
called Teresa to service in his home. In 1880, to escape
political reprisal from dictator Porfirio Díaz,
Urrea moved his family to Cabora, Sonora.
During her first few months at Cabora, Teresa lapsed
into a cataleptic state that lasted over three months.
When she awoke, she reported that the Virgin had visited
her and told her she must use her special powers to cure
and comfort people. In repeated trance-like meditations,
Teresa summoned power to heal by laying her hands on the
sick and crippled. Word of her miraculous cures spread
rapidly and thousands of pilgrims journeyed to Cabora.
She drew the masses not only because she healed but also
because she gave the poor Indians a message of justice.
It inspired them to rebel against the government.
In 1891, an armed rebel group of Yaqui, Tarahumara, and
Mayo peasants holed up in the village of Tomochic after
defeating a Porfirian armed force with the cry of "Viva
la Santa de Cabora." The federales burned the town to
the ground. Women and children who took refuge in the
church, were burned to death. Other revolutionaries took
up the battle cry and some became known as Teresistas.
Teresa, herself, denied any role in inciting rebellion.
In 1892 after another guerrilla army claimed her as their
inspiration, Díaz ordered Teresa and her father
to be deported. They lived in Nogales, Arizona, then moved
to El Paso, Texas in August of 1896. Crowds followed her
in both places. Within a month in El Paso, three assassination
attempts were made on her life. Don Tomás took
her to Clifton, Arizona to get away from the volatile
border area.
Don Tomás established a dairy and firewood business
in Clifton, but soon received more income from Teresa's
healings. Anglos discovered her and after a miraculous
healing of the son of one of Clifton's wealthy citizens,
she became the darling of some of Clifton-Morenci's most
prominent Anglo women. She continued to heal many Mexicans
as well.
Elena
Díaz Björkquist as Teresa Urrea
Teresa married in 1900 against her father's wishes. The
marriage ended on their honeymoon when her husband tried
to take her back to Mexico. He shot her but didn't seriously
injure her. He was found insane and sent to the state
asylum. One of her patrons took Teresa to California to
recuperate after her short marriage. From there she toured
the U.S. and Europe with a medical show for a few years.
In 1904 she returned to Clifton where she died in 1906.
She may have been an odd choice to be the pet of Clifton
society, but a combination of her powers, her light skin,
and her father's wealth opened doors into white social
life. Anglos were willing to accept Teresa's Mexicaness
and the Mexican's view that her powers came from another
world. From the cultural materials that she had access
to as a border person, Teresa constructed a life and a
career. Embodied within that life were the contradictions
that characterized the U.S. - Mexican border at that time.
An illegitimate, half-Indian servant girl who came to
dominate the economic and political activities of her
wealthy aristocratic father, Teresa became a heroine to
Mexican revolutionary peasants and a darling of the Arizona
Anglos. As a Catholic, she pioneered the evangelical techniques
later popularized by Protestants. She bore herself with
the submissiveness revered in the Madonna, yet she was
ambitious and assertive in her work. Teresa Urrea became
white through a kind of adoption, yet lost none of her
Mexicaness. Her posture in this "adoption" remained so
passive that her people never accused of selling out.
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An
Excerpt from "History Live!" by Margaret Regan
in
AZ Living Magazine
Fall 2002
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Björkquist
is costumed in Mexican-style clothing of a century
ago. A long white cotton dress, ornate with pintucks
and lace, flows down to her ankles. A silver crucifix
and assorted Milagroslegs, hearts, eyesdangle
from her necklace, and her graying dark hair is caught
in a pearl-studded comb. The old-fashioned garb is
decidedly at odd with her demeanoruntil she
begins her performance.
Standing at the front of the room, Björkquist
takes off her glasses and undergoes a sudden metamorphosis.
Her posture changes, and so does her voice, both going
from casual-colloquial to serious-formal. She clasps
her hands modestly, and begins sprinkling hold words
in Spanish into her English sentences. Shes
become Teresa Urrea, the real-life Mexican healer
and accused revolutionary, whose colorful life ended
right here in Clifton in 1906.
I
am glad you have come to hear the truth about me,
Björkquist-as-Urrea says in a quiet but self-confident
voice. Some reporters have written the truth
about me, some have not. Truth is everything.
Urrea
regales the transfixed crowd with her strange but
true story. Born to a 14-year-old Indian servant girl
on a Sinaloa hacienda in 1873, Teresa became a wildly
famous healer by the age of 15. I put my hands
upon the sick and I healed them. . . The Virgen de
Guadalupe came to me and said, you have been
given a special power to heal, to comfort, to console.
This is a message from God.
Soon
Mayo and Yaqui Indians were flocking by the thousands
to see the young woman they called La Santa de Cabora.
But to President Porfirio Díaz and church officials,
she was not a saint, but a bruja, a witch a revolutionary
with dangerous ideas of equality. Blaming Urrea for
bloody uprisings, Díaz exiled her to the United
States. Here she continued her faith-healing career,
living in Arizona, Texas, and California, and criss-crossing
the country on curing tours. She found peace in Clifton,
until tuberculosis ended her life at the age of 33.
After
she finishes her mesmerizing tale, Urrea takes a few
questions from the crowd (Yes, I use herbs.
. . No, Ive never worked as a midwife),
but then la santa disappears as suddenly as she appeared.
Björkquist puts on her glasses, breaking the
spell, and becomes a scholar again, answering questions
about her research in her own modern voice.
Its
a spiritual thing, Björkquist says later,
explaining the transformation. I feel her presence.
Im myself and Im not.
Welcome
to chautauqua, a living history presentation like
no other.
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