Elena Díaz Björkquist
 

 

Chautauqua

 

What is it?

 

Teresa Urrea

 

Schedule

 

 

 

 

 

 

 

Chautauqua

A Chautauqua as defined in Microsoft's Encarta Dictionary is an "annual summer school or educational gathering, often held outdoors and offering lectures, concerts, and theatrical performances." The word is taken from the town in upstate New York where the first Chautauquas were held in the nineteenth century. Chautauqua now defines a living history presentation where an individual dresses as the historical character and takes on the persona of that character.

The format used by most Chautauqua performers is to speak for 30 minutes as the character they are portraying, answer questions for about 15 minutes as the character and then answer questions as the scholar about the research that went into their performance.

The Arizona Humanities Council funded three individuals to perform at the Arizona State Historical Parks in the summer of 2001. Don Garate portrayed Manuel José de Sosa, a royal scribe and Juan Bautista de Anza's foreman in the 1700's. Elena Díaz Björkquist portrayed Teresa Urrea, a Mexican healer who was exhiled by Porfirio Díaz to the United States. Leonard M. Edmonds portrayed Carl T. Hayden, the Senator from Arizona. All three Chautauquans are in the Arizona Humanities Council Speakers Bureau and are available to do presentations for private non-profit groups. For more information go to the AHC website.

 

 

 

 

 

TERESA URREA, LA SANTA DE CABORA

Teresa Urrea, healer and political figure was born in Sinaloa, Mexico in 1873. She was the illegitimate daughter of Tomás Urrea, a wealthy rancher and a fourteen-year-old Tehueco Indian in his employ. When she was sixteen, Don Tomás called Teresa to service in his home. In 1880, to escape political reprisal from dictator Porfirio Díaz, Urrea moved his family to Cabora, Sonora.

During her first few months at Cabora, Teresa lapsed into a cataleptic state that lasted over three months. When she awoke, she reported that the Virgin had visited her and told her she must use her special powers to cure and comfort people. In repeated trance-like meditations, Teresa summoned power to heal by laying her hands on the sick and crippled. Word of her miraculous cures spread rapidly and thousands of pilgrims journeyed to Cabora. She drew the masses not only because she healed but also because she gave the poor Indians a message of justice. It inspired them to rebel against the government.

In 1891, an armed rebel group of Yaqui, Tarahumara, and Mayo peasants holed up in the village of Tomochic after defeating a Porfirian armed force with the cry of "Viva la Santa de Cabora." The federales burned the town to the ground. Women and children who took refuge in the church, were burned to death. Other revolutionaries took up the battle cry and some became known as Teresistas. Teresa, herself, denied any role in inciting rebellion.

In 1892 after another guerrilla army claimed her as their inspiration, Díaz ordered Teresa and her father to be deported. They lived in Nogales, Arizona, then moved to El Paso, Texas in August of 1896. Crowds followed her in both places. Within a month in El Paso, three assassination attempts were made on her life. Don Tomás took her to Clifton, Arizona to get away from the volatile border area.

Don Tomás established a dairy and firewood business in Clifton, but soon received more income from Teresa's healings. Anglos discovered her and after a miraculous healing of the son of one of Clifton's wealthy citizens, she became the darling of some of Clifton-Morenci's most prominent Anglo women. She continued to heal many Mexicans as well.

Elena Díaz Björkquist as Teresa Urrea

Teresa married in 1900 against her father's wishes. The marriage ended on their honeymoon when her husband tried to take her back to Mexico. He shot her but didn't seriously injure her. He was found insane and sent to the state asylum. One of her patrons took Teresa to California to recuperate after her short marriage. From there she toured the U.S. and Europe with a medical show for a few years. In 1904 she returned to Clifton where she died in 1906.

She may have been an odd choice to be the pet of Clifton society, but a combination of her powers, her light skin, and her father's wealth opened doors into white social life. Anglos were willing to accept Teresa's Mexicaness and the Mexican's view that her powers came from another world. From the cultural materials that she had access to as a border person, Teresa constructed a life and a career. Embodied within that life were the contradictions that characterized the U.S. - Mexican border at that time. An illegitimate, half-Indian servant girl who came to dominate the economic and political activities of her wealthy aristocratic father, Teresa became a heroine to Mexican revolutionary peasants and a darling of the Arizona Anglos. As a Catholic, she pioneered the evangelical techniques later popularized by Protestants. She bore herself with the submissiveness revered in the Madonna, yet she was ambitious and assertive in her work. Teresa Urrea became white through a kind of adoption, yet lost none of her Mexicaness. Her posture in this "adoption" remained so passive that her people never accused of selling out.

Excerpt from article in AZ Living

 

 

 

 

 

 

 

 

An Excerpt from "History Live!" by Margaret Regan

in AZ Living Magazine Fall 2002 


Björkquist is costumed in Mexican-style clothing of a century ago. A long white cotton dress, ornate with pintucks and lace, flows down to her ankles. A silver crucifix and assorted Milagros—legs, hearts, eyes—dangle from her necklace, and her graying dark hair is caught in a pearl-studded comb. The old-fashioned garb is decidedly at odd with her demeanor—until she begins her performance.


Standing at the front of the room, Björkquist takes off her glasses and undergoes a sudden metamorphosis. Her posture changes, and so does her voice, both going from casual-colloquial to serious-formal. She clasps her hands modestly, and begins sprinkling hold words in Spanish into her English sentences. She’s become Teresa Urrea, the real-life Mexican healer and accused revolutionary, whose colorful life ended right here in Clifton in 1906.

“I am glad you have come to hear the truth about me,” Björkquist-as-Urrea says in a quiet but self-confident voice. “Some reporters have written the truth about me, some have not. Truth is everything.”

Urrea regales the transfixed crowd with her strange but true story. Born to a 14-year-old Indian servant girl on a Sinaloa hacienda in 1873, Teresa became a wildly famous healer by the age of 15. “I put my hands upon the sick and I healed them. . . The Virgen de Guadalupe came to me and said, “you have been given a special power to heal, to comfort, to console. This is a message from God.”

Soon Mayo and Yaqui Indians were flocking by the thousands to see the young woman they called La Santa de Cabora. But to President Porfirio Díaz and church officials, she was not a saint, but a bruja, a witch a revolutionary with dangerous ideas of equality. Blaming Urrea for bloody uprisings, Díaz exiled her to the United States. Here she continued her faith-healing career, living in Arizona, Texas, and California, and criss-crossing the country on curing tours. She found peace in Clifton, until tuberculosis ended her life at the age of 33.

After she finishes her mesmerizing tale, Urrea takes a few questions from the crowd (“Yes, I use herbs. . . No, I’ve never worked as a midwife”), but then la santa disappears as suddenly as she appeared. Björkquist puts on her glasses, breaking the spell, and becomes a scholar again, answering questions about her research in her own modern voice.

“It’s a spiritual thing,” Björkquist says later, explaining the transformation. “I feel her presence. I’m myself and I’m not.”

Welcome to chautauqua, a living history presentation like no other.

 

 

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